A newly-written musical comedy

Nun the Wiser

Dreamgirls meets Sister Act, meets Mean Girls… all set in an 18th-century convent.

Our journey begins with a work-in-progress workshop performance on 8 February 2026 (intensive rehearsals 5-7 Feb), where we’ll explore the material with performers and a live audience. This workshop will pave the way for a full production later in the year.

Whether you’re keen to audition, collaborate, or simply enjoy the show, we’d love for you to be part of its creation!

Audition to be part of this project!

About this project

Nun the Wiser is a newly written musical comedy set in a nunnery in 18th-century Italy. As musicals often take years to bring to the stage, we will begin this project as a work-in-progress workshop performance on 8 February 2026 , with the goal of putting on the full show in the future. The musical is written by Kat Carson, The Cauldron’s very own founder and artistic director.

What is a workshop performance?

As a new composition, it is vital that the material can be workshopped and improved through interaction with the public. Do the piece’s themes come across? Do they make people think about women’s roles in society? About religious freedom in relation to LGBTQIA identity? To discover and further develop this work, we will put on extracts from the full piece in front of the audience it was intended for, and ask for their participation in shaping the performance. To preface the work, there will be an introduction to the world of female composers in the 18th century and the history preceding this, given by historical performance expert and Nederlands Muziekprijs winner Elisabeth Hetherington. The audience will then experience excerpts from the full musical, which will have been rehearsed in the preceding three days. Finally, after the performance, we will have a moderated Q&A/Feedback session with the audience where they give their takeaways and feelings, and are able to ask questions of the creative team.

This is an opportunity for performers to originate a role, and perform it with direct feedback from a live audience. For the audience, it gives an opportunity to have a role in shaping a new exciting musical theatre production.

The cast will rehearse intensively from February 5-7, with the public presentation and moderated feedback session on February 8 2026.

What is the musical about?

‘Nun the Wiser’ is an irreverent new musical from the mind of Kat Carson. It is a satirical look at an imagined past where Italian nuns sing gospel music and dream of fame. It focusses on the lives of seven musical nuns. On the surface, they appear devout and ordinary, but beneath that exterior lies a world of interpersonal relationships, conflicts, love, and repressed emotion. Within the convent, the only permitted form of artistic expression is composing and performing religious music.

Their lives are thrown into turmoil when the famous composer Antonio Vivaldi comes to hear their compositions. As a man, he has the power to change their lives and introduce their music to the outside world. The nuns ask Mr. Vivaldi to review their own works, but what will he make of their explicit writings about love and desire?

Drawing on her extensive work on the music of the 17th and 18th centuries, and on her experiences in an all female education system, Kat has used the genre of musical theatre to examine LGBTQIA issues and to draw a picture of womanhood that is both funny and challenging. The nuns in the story are people first and foremost, and have their own dreams, lives, and troubles. The musical explores issues of sexual identity, living within a patriarchal society, and a love of music through the absurd lens of nuns in an 18th century convent.

Character Descriptions

Mother Superior

Older woman, overtly sexual. Every word out of her mouth is a sexual innuendo.

C3-F4 (Low Alto)

Video Request
Monologue - something including a joke or innuendo.
Song Request - something that shows you off.

Sister Cristina

Queen bee of the convent; popular and charismatic, a little controlling.

A3-D5 (Mezzo)

Video Request
Monologue - please consider the character.
Song Request - something that shows you off.


Sister Lucrezia

Calm and confident, an outsider.

G3-C5 (Mezzo)

Video Request
Monologue -  please consider the character.
Song Request - something that shows you off.

Sister Cecilia

Brash and bold, fantastic singer.

G3-A5 (Mezzo)

Video Request
Monologue -  please consider the character.
Song Request - something virtuosic with a lot of riffs.

Sister Pia

Dour and severe, repressed personality with a lot going on below the surface.

G3-D4 (Alto)

Video Request
Monologue - something that includes a secret.
Song Request - Something in a classical/legit style.


Sister Simona

A ‘yes man’ to Cristina, always has a line.

G3-C4 (Alto)

Video Request
Monologue - something trying to convince someone of something.
Song Request - something that shows you off.

Sister Agnes

Very innocent and young.

E4-B5 (Soprano)

Video Request
Monologue -  please consider the character.
Song Request - Something classical/legit style.

Antonio Vivaldi (The Maestro)

Camp, pompous, arrogant and flamboyant.

D2-G4 (Baritone)

Video Request
Monologue -  please consider the character.
Song Request - something that shows you off.

Audition Process

  • Please submit your auditions before the 7th of November

  • You will hear back from us by November 12th

  • Callbacks are on November 15th and 16th

The workshop performance will take place on 8 February, with intensive rehearsals on 5-7 February 2026.

Audition

Meet the team

  • Jon Madge

    Director

    Jon is a writer and director with a love for new and innovative theatre. Since moving to Amsterdam, they’ve worked on several award winning productions, including the Cauldron’s Addams Family and DSL’s The Arsonists, both praised for their direction, and helped found the Campfire of New Writing night of short plays. Jon’s just finishing work on Keeping the Zoo, an audio sitcom homage to classic radio comedies, which will launch on all good podcast apps later this year.

  • Kat Carson

    Music Director

    Kat began singing lessons at 11 after being cast as a “tango dancing fish” in her school play—a twist of fate that sparked a lifelong love of performing. While studying music at Sussex University, she worked with the BREMF Community Choir and made her recording debut on Musica Secreta’s Lucrezia Borgia’s Daughter, later performing on BBC Radio 3. In the Netherlands, Kat earned her Masters at FONTYS and founded ensembles The Wandering Bard and Nymphes & Monstres, creating innovative projects. She also founded The Cauldron, producing musicals and teaching, and recently debuted her first script, Nun the Wiser.

  • Caitlynn Schijff

    Concept Artist

    Caitlynn Schijff(she/her), an enthusiastic jack of all trades who's driven by curiosity and a love for all things ostentatious.

    Hailing from a background in video games and digital artistry, she chose to focus on the digital crafting and archiving of historical garments. 

    Which led her to acquire skills from both the physical as well as digital realm.

    Under the pseudonym Venus Ferieuse, she commits burlesque with a loving blend of history, humor and heart.

Questions?

Please don’t hesitate to send us an email at contact@cauldronperformingarts.com